Comment, Comics and the Contrary.
Contact: aj_bartlett1977*at*yahoo*dot*co*dot*uk
Harold Pinter won the Nobel Prize for Literature on Thursday, drawing predictable condemnation. I am not, for today at least, linking to the over-influential rantings of Little Green Footballs, Michelle Malkin or Christopher Hitchens. If you ever find your arguments being condemned because they ‘objectively’ position you alongside some pretty nasty people, point out that this tactic, being thoroughly dishonest, is capable of being spun to discredit any position. Here is
a selection of responses.
Much of this seems to use his poem
American Football as a launch-pad, missing the point that the Literature Prize is not awarded for any particular piece of work, and to choose a political poem as representative of Pinter’s work is a sure sign, being generous, of remarkable ignorance. Regardless, I cannot say that I dislike his aggressive poem. Undoubtedly, but unconsciously, influenced by that poem I wrote this on the eve of the Iraq War:
+++++
Collateral Damage to the English Language (2002)
The machine gun fires; the bullets spit
And human beings are turned to shit
Cities to rubble, forests to muck
Our leaders they don’t give a fuck
A billion dollars in armaments
These people are such stupid cunts
Propaganda, lies and dirty tricks
For bragging rights to the biggest pricks
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“We train young men to drop fire on people. But their commanders won't allow them to write "fuck" on their aeroplane because it's obscene.” (Kurtz, Apocalypse Now!)
More obscenity: beheading videos are obscene. But their consumption by, and distribution between, Americans in the same manner as are clips of grotesque pornography, crimes, accidents and injuries makes it seem inevitable that the whole process was brought in-house:
US soldiers have been taking celebratory pictures of dead Iraqis, sharing them as if they were holiday snaps, and more, trading them for access to porn. Homemade murder pics are equivalent to Readers’ Wives. But then, this crude branch of American culture appears to be centred upon the degradation of other people; in their porn, their war, their prisons and their economics.