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Sunday, November 14, 2004

 

Now and then we have a zombie apocalyse

Earlier this year my stepfather bought a Dawn of the Dead (DotD) DVD, thinking that he was getting Zack Snyder’s 2004 Hollywood remake. So when he realised that he had actually bought Romero’s 1978 independent movie he was uncharitable in his critical review. ‘It’s rubbish’ just about sums up his opinion. I protested that DotD 1978 was an intelligent, witty; a horror film with something to say. There is little doubt that DotD 2004 is faster and flashier, and even without the make-up kit of gore-master Tom Savini it looks a whole lot better, or at least more acceptable to a modern audience than DotD 1978 does. But beneath this sheen of music video standard cosmetic cinematic competence, what can be found in the body of DotD 2004? What does it say?

The 1978 version is routinely described as taking a critical, satirical view of consumerism. It is mindless consumption (of braaaiiins, no less) that threatens the world in 1978. DotD 2004 opens with a barrage-montage of news footage. This is Snyder’s analogue to the opening scene of Romero’s original, where a television discussion programme, the last vestige of civilised, rational discussion, democracy in action, descends into chaos as the crew abandon the studio. Snyder’s rapid-cut montage is more reminiscent of the blizzard of unconnected and decontextualised, though ‘fair and balanced’, images and audio found on Fox News.

These clips purport to show the collapse of civilization as the zombie epidemic takes hold, but they are note-perfect replicas of the images of police/protester conflicts that represent anti-globalisation/anti-capitalist/anti-corporate demonstrations on television news. A few of these clips bear the rolling news indicators of Third-World reports, and the most disturbing image, in light of my reading of the subtext of the film, appears to show a group of Muslims at prayer.

This montage prefaces the rest of the Snyder’s film, which I read as a defence of consumerism/capitalism. As in the 1978 original, the survivors take refuge in a mall. But whereas Romero’s characters raid the mall and live in a converted storehouse, well away from the shopping front-line, Snyder’s heroes live in the mall itself, comfortably making a home amongst the shops. ‘Hallowed Grounds’ is the punny, but appropriate, name of their coffee shop cum council chamber.

While the human heroes of the films have undergone a subtle transformation, the zombies are totally transformed. In 1978, zombies were mindless creatures of instinct, shuffling slowly towards their next act of consumption. In 2004, zombies have become malevolent, aggressive sprinters of superhuman stamina. They are motivated by hate and destructive lust. They are chillingly similar to the Somalis portrayed in the shameful Black Hawk Down (Ridley Scott, 2001); a bunch of indistinguishable, unintelligible, barely human creatures.

Remaking Dawn of the Dead has transformed a film critical of mass-consumer culture into a movie with a crude and unsophisticated subtext which reads: the critics of the existing western culture have only simple, easily condemnable motivations - hate, greed and envy. This echoes the standard explanation of terrorist motivations given in the right-wing American press. Or indeed, the motivations ascribed to egalitarian, liberal or socialist movements. Our very way of life is threatened by the unthinking hordes at our gate(d community).

Romero’s ‘Dead’ movies always warns us that the zombies, the dead, are us. Snyder warns us that they are very definitely a them.

Comments:
Indeed. Simon Pegg and Ed Wright, not Zack Snyder, are Romero's true heirs.
 
Wow - great review. I'm a great fan of the 1978 original. I haven't seen the remake, but I had a feeling that the subversive political content of the original would have been removed from it.

I also really like the low budget charm of the original - the way the rather poor blue make-up on zombies' faces doesn't cover the rims of the eyelids for example.
 
Just thought I’d use this opportunity to put into text something that’s been making me giggle for the last few weeks.

I’ve been going to the autumn international rugby at the millennium stadium here in Cardiff and have been thoroughly amused by the Welsh rugby team’s new shirt sponsor, the brewers Brains.

Every time I see thousands of Welsh supporters wearing the new shirts all I can think is brrraaaiiiinnnnssssss!

I know this is a totally juvenile comment but, hey, there you go.
 
I must admit, I hadn't read quite so much into the remake as you seem to, Andy. I thought it had simply borrowed all its ideas from elsewhere and dressed them up as its own contribution to the original. The characters in the new one didn't seem too bothered by the apocalypse, either - though, as you point out, perhaps they can simply ignore what happens outside their small community if they have all the trappings of western consumerist society at hand.
Perhaps this could be seen as the catalyst for their eventual flight from that same community - they finally realise their cloistered lifestyle/worldview is unsustainable in the long run, and seek out a better one.
Or maybe not, I dunno. Good take on it, though.
 
As a follow up to this, I'd like to point out that George A Romero's new 'Dead' film, 'Land of the Dead', will feature zombie cameos from Simon Pegg and Edgar Wright.

Will it be any good?

http://www.imdb.com/title/tt0418819/
 
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